Search: Starring Denzel Washington

Like the bulls that Papi is so fond of, this film is more interested in careering about causing mayhem than dwelling on details.

Scott has gone back to source, bringing viewers the most refined product available.

The killer's identity adds fuel to the flames of absurdity.

The set-pieces are sporadic – but always exciting and kinetic.

The incomparable Denzel Washington gives another of his thoughtful, sensitive performances that carries a surplus of the dignity gene.

Now it's Denzel Washington's turn, which means this is serious and requires a smart turn out at all times and a watch that goes 'bleep'.

It's complicated and increasingly violent

An ambitious plot implodes in the detail.

As a family saga in the tradition of O'Neill and Miller, August Wilson reveals its destructive nature

Self-hatred and lies, stuck on the merry-go-round of never-ending temptations... give Flight its tension.

This strange recipe of Hollywood star, and local actors Redman and Fairbass only serves to make an otherwise abysmal attempt at a political statement all the more enjoyable.

David Scarpa’s screenplay wisely keeps the political machinations on a slow simmer, so that they are easily followed and don’t get in the way of the nicely worked set-pieces Scott has in store.

The film is uneven and, at times, sentimental, with a terrific performance from Washington in a less than glamorous role.

Dominated... by a compelling, passionate, thoughtful and unforgiving performance from Denzel Washington.

One of the tricksiest, most tautly plotted rollercoaster rides through the thriller genre since The Usual Suspects.

The tendency to set up dramatic moments only to drown them in sentiment hurts the integrity of the film.

The John Ford cliches clang against the Sergio Leone sloppy seconds with the hollow ring of a church bell.

Jonathan Demme directs with utter simplicity.

The film resembles a schizophrenic's acid trip - viscious, paranoid and out-of-the-box.

All told, a case of move along, nothing to see here.

Redneck kids bond with black brothers. It's so corny, it can't be true. And yet it is - or was.

The role of Frost, enigmatic, dangerous, with added unfathomable moral compass, is something Washington excels at and can do in his sleep, but he's played that card perhaps too many times for it to seem fresh.

Edward Zwick has succeeded in turning a contemporary nightmare into a good day's sleep.

The original Pelham was a tense affair but this modern version cranks up the edge-of-your-seat factor even further.

There have been great police corruption movies - Sidney Lumet's Q&A comes to mind - but usually they are more subtle than this.

By the time Frank and Chris are taking on the train - complete with running, dangling and some large chunks of that back story you had rather hoped they'd forgotten about - the tension begins to hum.